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Fill Your Speaking Calendar Using the Power of Compounding Gigs

The key to turning one gig into one hundred isn’t more marketing.

8
minute read
Published on
December 23, 2024
Imagine how different your speaking career would be if you could easily fill your speaking calendar—without time-consuming traditional marketing techniques.

If the first thing on your Christmas list this year is more gigs (and at higher fees, Santa, please), you’ve probably already tried the traditional marketing advice for speakers.

Perhaps you’ve invested hours building your personal brand, shooting YouTube videos, increasing your engagement on TikTok, or making a podcast. You’ve probably perfected your one sheet and sent it to quite a few event organizers. Then followed up—again and again. 

Now, that approach isn’t entirely wrong—but it’s not quite right either. It can feel good to build your personal brand online and it can yield some results. But some serious long-term flaws arise when speakers spend too much time on personal branding while doing more and more outbound marketing.  

What if the key to building a sustainable speaking career doesn't require any of those things?

What if the fastest and most effective way to earn more gigs, more often—at higher fees—is by tracking just one number?

Now, it might sound like a Christmas miracle, but this method has worked for hundreds of speakers, and it’s exactly how I secured hundreds of gigs during my time in the speaking circuit—without using any direct-marketing techniques. Although I didn’t understand it at the beginning of my career, looking back, I realize what a huge impact it made.  

At the start of my career, I was like one of those wind-up toys—buzzing around at full speed, bumping into walls, bouncing off, and then charging headfirst into the next obstacle. I was pretty bruised up and probably wore out the floor with all my zigzags, but, thankfully, after a while, I started to figure out how things work. And I realized why I was booking so many gigs. 

You see, it all starts by tracking that one important element: stageside leads. 

Unwrapping Stageside Leads 

Stageside leads are a type of inquiry that typically happens right after you walk off stage. The conversation usually starts something like this: “Wow! That speech was amazing. Your ideas would be game changing for my company. We have an event in Provo, Utah on April 22nd. Are you available and what’s your fee?” 

A stageside lead is also when someone fills out a form on your website in the middle of your speech. It can also come as a phone call from an assistant a week later who says, “My boss saw your speech last week and wants to book you for our annual conference.”

These types of conversations have three important components: (1) the name of the event, (2) the date, and (3) an invitation to speak or connect. Stageside leads are a clear sign your speech is working, because if you’re invited to give it again, that means your audience is finding value in your message. 

In fact, stageside leads are the number-one indicator of whether or not your speech can sustain a speaking career. Because if you can consistently earn stageside leads after every gig, you’ll be able to fill your speaking calendar—without using any traditional marketing techniques. 

Now, not all stageside leads are guaranteed to become paying gigs. But when you compare stageside leads with other inquiries you get—perhaps from sending your one-sheet to event organizers or posting on social media—stageside leads close faster, with less objections, and at higher fees than any other type of lead. That’s what makes them so valuable. 

How do you earn stageside leads? Well, first, you have to avoid this common mistake many speakers make. 

The Biggest Mistake Speakers Make…

One of the biggest mistakes speakers make early in their careers is trying to promote themselves the same way big-time famous speakers do. It rarely works. Ask me how I know. 🫣 

Those typical “firework” marketing techniques, surface-level sizzle reels, and “jaw-dropping” onstage photos might be enough to land you the gig if you’re Shaquille O'Neal, Hugh Jackman, or Simone Biles. But if you’re not? Well, your event planner will probably need a lot more convincing. 

You see, event planners don’t choose famous speakers because of their transformational message. They choose them because fame fills the seats. When a meeting planner is hiring a celebrity, first they pick the person, then the idea they share, and then the actual speech. Famous person. Idea. Speech. 

But when you’re not famous, it’s the opposite. They want the speech first—the product and the guaranteed quality of your delivery and performance. Then they want the idea behind the speech, and then you—last. Speech. Idea. You. 

If your name isn’t immediately recognized by the general population, don’t try to promote yourself like a famous person. You’ll lose that battle every time. In your case, event organizers don’t want you, they want your speech. 

Turn One Gig into 100

Once you realize that what matters most to event organizers is your speech, you can focus on upleveling your speech and using it as your greatest marketing tool. 

When you focus on the quality of the speech—and base the effectiveness of your speech on the number of stateside leads you get each time you deliver it—you won't need to market your way into new gigs.

Your speech itself will earn you more speaking opportunities. 

Each speech you give will be a stepping stone to new speaking opportunities. And instead of spending your time thinking up new marketing strategies and cold-calling event organizers, you can spend your time doing what professional speakers do—improving, iterating, and rehearsing the speech. 

Why More Marketing ≠ More Gigs

Now, the truth is you could market or promote your way into 100 first gigs. It would be time consuming, exhausting, and expensive. But perhaps worst of all, it likely wouldn’t be effective long term. That’s the danger of relying solely on marketing and promotion in your speaking business. 

You see, speakers who focus on marketing can land those first gigs. But they often see a precipitous decline in gigs if they’re not actually getting stageside leads and turning them into second, third, fourth, fifth, sixth, seventh, and eighth gigs. 

Without focusing on improving their speech, those gigs earned don’t lead to more gigs. And speakers are forced to rely on more marketing to speak more. But it’s unsustainable. Eventually, those marketing efforts will dry up, along with the speakers’ careers. 

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try to sell or market yourself to win more gigs.
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focus on crafting a referrable speech that earns you stageside leads every time you deliver it.
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Ultimately, your speech is what earns you more speaking opportunities. That’s why more marketing doesn’t necessarily mean more gigs. 

Each moment you spend upleveling your speech brings you closer to more and more speaking engagements. And when you have a speech that’s so good that every time you deliver it you earn stageside leads, you can start cashing in on the power of compounding gigs. 

The Power of Compounding Gigs

Just like the power of compound interest is the eighth wonder of the world, the power of compounding gigs is the eighth wonder of the professional speaker's world. Here’s how it works: 

As you focus on improving your speech, your speech becomes your greatest marketing tool—and it earns you more gigs. As you continue to iterate, rehearse, and deliver your speech month after month, your work improves continuously and exponentially.

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The more stageside leads and referrals you earn, the more gigs you’ll deliver. That’s the power of compounding gigs.

As the graph shows, when you start earning stageside leads, not all of them will convert to paying gigs. At the beginning, as demand for your speech grows, you’ll probably experience a 3:1 booking ratio—for every three stageside leads you earn, one will become a paid gig. 

But as your speech improves, demand increases, and you start earning more stageside leads, that ratio will likely even out to around a 50:50 booking rate—you’ll win about half the speaking leads and inquiries you get. 

Now a 50:50 booking ratio might sound like a low success rate, but it’s actually ideal. You see, if you have a much higher booking rate, your speaking fee is probably too low. And if you have a much lower booking rate, your fee could be too high or your sales process might need some work. An intentional 50 percent booking rate is the sweet spot between value and demand.

Let’s say you’re just starting out as a professional speaker. Or perhaps you’ve been speaking for a few years and are launching a brand new speech. Instead of spending your time marketing, you want to find as many free gigs as you can to start producing momentum for your speech. 

Right now, there’s no current demand for your speech (and when there's zero demand for a speech, the speech is worth zero dollars). These first few speaking gigs aren’t meant to  boost your bottom line, they’re meant to build momentum. 

As you deliver your speech more often, and your speech improves, you’ll start to earn stageside leads. As you produce demand through stageside leads, your speech becomes more valuable, and you can start charging a fee. 

Just imagine—after delivering your speech for free, you earn two stageside leads. You quote a fee of $2,500 for those two potential gigs, and one of them closes. 

You go and deliver the speech—and each time you deliver your speech it gets better and better—and this time you earn two more stageside leads, and both of them close. Two more gigs and two more opportunities to earn more stageside leads. 

At those two gigs, you earn three more stageside leads, but this time you increase your fee (since you’re starting to earn regular demand, you can start increasing your fee). You quote $5,000 for each of those three stageside leads, and close two of them. 

At those two gigs, you earn more stageside leads, increase your fee, and land more gigs. And on and on and on. That’s the power of compounding gigs. 

It doesn’t happen overnight.  

Now, just like compounding interest, the power of compounding gigs doesn’t kick in right away. It may take you a year to get to the point where you're consistently earning stageside leads and making steady income from your speaking gigs. 

But as you improve your speech and consistently earn stageside leads, your demand will increase exponentially. You’ll be able to branch into new fractals and find more audiences who are eager to hear your message. You’ll be able to consistently raise your fees and build a sustainable speaking business. 

And you’ll separate yourself from the competition on an exponential scale. While they’re focused on doing more marketing, you’ll be focused on pursuing mastery. And you’ll let your speech do the marketing for you.

Use the Velocity Philosophy to Get Started 

The faster you get on stage and start delivering your speech, the faster you can start earning stageside leads and increasing your speaking fee. Before you know it, gigs will start piling up like presents under the Christmas tree. 

To get started, you have to find free gigs fast. We call this the Velocity Philosophy. It’s key to putting the power of compounding gigs into practice. 

In GRAD | Speaking Business Mastery, we go in-depth about how to use the Velocity Philosophy to find speaking opportunities that can earn you your first stageside leads. We’ll give you the exact steps to take to land those first few gigs (which are often the hardest to earn). 

When you start using the power of compounding gigs, you can say goodbye to those seemingly endless marketing efforts. And cold calling. And infinite followup. 

And you can start focusing on what you do best—delivering a masterful speech that captivates, inspires, and transforms your audience.

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Ultimately, your speech is what earns you more speaking opportunities. That’s why more marketing doesn’t necessarily mean more gigs. 

Each moment you spend upleveling your speech brings you closer to more and more speaking engagements. And when you have a speech that’s so good that every time you deliver it you earn stageside leads, you can start cashing in on the power of compounding gigs. 

The Power of Compounding Gigs

Just like the power of compound interest is the eighth wonder of the world, the power of compounding gigs is the eighth wonder of the professional speaker's world. Here’s how it works: 

As you focus on improving your speech, your speech becomes your greatest marketing tool—and it earns you more gigs. As you continue to iterate, rehearse, and deliver your speech month after month, your work improves continuously and exponentially.

X Mark icon
Dont
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Do

As the graph shows, when you start earning stageside leads, not all of them will convert to paying gigs. At the beginning, as demand for your speech grows, you’ll probably experience a 3:1 booking ratio—for every three stageside leads you earn, one will become a paid gig. 

But as your speech improves, demand increases, and you start earning more stageside leads, that ratio will likely even out to around a 50:50 booking rate—you’ll win about half the speaking leads and inquiries you get. 

Now a 50:50 booking ratio might sound like a low success rate, but it’s actually ideal. You see, if you have a much higher booking rate, your speaking fee is probably too low. And if you have a much lower booking rate, your fee could be too high or your sales process might need some work. An intentional 50 percent booking rate is the sweet spot between value and demand.

Let’s say you’re just starting out as a professional speaker. Or perhaps you’ve been speaking for a few years and are launching a brand new speech. Instead of spending your time marketing, you want to find as many free gigs as you can to start producing momentum for your speech. 

Right now, there’s no current demand for your speech (and when there's zero demand for a speech, the speech is worth zero dollars). These first few speaking gigs aren’t meant to  boost your bottom line, they’re meant to build momentum. 

As you deliver your speech more often, and your speech improves, you’ll start to earn stageside leads. As you produce demand through stageside leads, your speech becomes more valuable, and you can start charging a fee. 

Just imagine—after delivering your speech for free, you earn two stageside leads. You quote a fee of $2,500 for those two potential gigs, and one of them closes. 

You go and deliver the speech—and each time you deliver your speech it gets better and better—and this time you earn two more stageside leads, and both of them close. Two more gigs and two more opportunities to earn more stageside leads. 

At those two gigs, you earn three more stageside leads, but this time you increase your fee (since you’re starting to earn regular demand, you can start increasing your fee). You quote $5,000 for each of those three stageside leads, and close two of them. 

At those two gigs, you earn more stageside leads, increase your fee, and land more gigs. And on and on and on. That’s the power of compounding gigs. 

It doesn’t happen overnight.  

Now, just like compounding interest, the power of compounding gigs doesn’t kick in right away. It may take you a year to get to the point where you're consistently earning stageside leads and making steady income from your speaking gigs. 

But as you improve your speech and consistently earn stageside leads, your demand will increase exponentially. You’ll be able to branch into new fractals and find more audiences who are eager to hear your message. You’ll be able to consistently raise your fees and build a sustainable speaking business. 

And you’ll separate yourself from the competition on an exponential scale. While they’re focused on doing more marketing, you’ll be focused on pursuing mastery. And you’ll let your speech do the marketing for you.

Use the Velocity Philosophy to Get Started 

The faster you get on stage and start delivering your speech, the faster you can start earning stageside leads and increasing your speaking fee. Before you know it, gigs will start piling up like presents under the Christmas tree. 

To get started, you have to find free gigs fast. We call this the Velocity Philosophy. It’s key to putting the power of compounding gigs into practice. 

In GRAD | Speaking Business Mastery, we go in-depth about how to use the Velocity Philosophy to find speaking opportunities that can earn you your first stageside leads. We’ll give you the exact steps to take to land those first few gigs (which are often the hardest to earn). 

When you start using the power of compounding gigs, you can say goodbye to those seemingly endless marketing efforts. And cold calling. And infinite followup. 

And you can start focusing on what you do best—delivering a masterful speech that captivates, inspires, and transforms your audience.

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